Showing posts with label cultural stigmata. Show all posts
Showing posts with label cultural stigmata. Show all posts

The War Horse


What is it like to be sitting in your room alone and trying to just figure out who you are and which script are we reading from now? The war horse once clawed hoves in the air dripping blood and ale as this anarchy fountain lifts its paws to the sky and blots out the sun, just for a moment. This feat and beast was then drowned slowly and is now a prancing pony in the travel circus that I may have been a part of in 1963 for a short time and that is the cat alongside a bag of wagon wheels or paint chips, tire irons, rusty talons, nails and tacks and so on.

The carpet now stands with her feet on the ceiling, speak bluntly kind sir and mind your manners. I sit now, calmly and write to you from a hole of a rabbit. The alligator shine’s his teeth on a razorblade while choosing his next victim- mass graves are the fashion of the time period. I hate a mockery of humanity that dresses us up fancy and leaves you feeling unveiled in the sun and slightly burning. Can you take me to the promised land?

Were there stunt doubles waiting in the wings for all our players and fortune soothsayers today and in the toady days to come: I can hear them from my open window tonight as they brave the trees in the dark earthen mounds of the backyard (a creature of a small variety but stout I assure you). The night can be a cruel asylum when I feel as if I’ve worked all within it’s slumber hours, and yet, don’t remembering the doing. Try to not speak out of turn or fifty hangings you must attend, wide eyes on a faceless and laughing crowd-the executioner wagers with the devil (or so I’ve heard) and gets his kicks from watching the dead man swing.

I hear the ringing of the watchtower bells even as I sit here, trying to get a silent peace in my head for once. I think madness is for the taking. I think bondage is time to be broken like the too many sets of dishes we have in our house just waiting to fly and split open with orgasm.

We, still the chained and downtrodden, must open our ears again to the beating of the earth-follow your brave snout, as it was and went on, wassailing till the end of the day. I see your sorrows painted on my walls like epigraphs and indeed tombstones hung from the catwalks on my ceiling. We fall like the tears on your face, again and again, and yet find the creative worth living for.

This interview is over for now, we continue on our journey through the slits in the blinds and the cracks in the hallway tile. I was a boy once afraid of lightening and then grew up, my head and hat through the rafters and was never heard from again. Until tomorrow then, the doctor calls for his nurse and uncovers his wounds; he falls to the floor dying from cultural stigmata, but the clock on his desk still wears a grin. 

Hot Skin: part man and monster


Naked skin rakes across hot irons, we are branded with the heard of mass hysteria and frustration. I put my face down to the earth’s edge and desperately strive to cry out against the slithering buzzing of the hoards of drones bulleting their way through the air. Why not just give up and join the chorus of despair that winks in my ear when then sun goes down. It’s hard to say. Wearily I stand at my post while the jury commits me, again and again, to my place in this holding cell. The ceiling of sky is falling and all you can do is stare and nod your heads.

 I have had turmoil and fog, to be sure, but what would you have me do? The priests who conduct the suicide rites are starting to get hungry. I have no prayer loud enough to pierce the sky and end the night. Forsaken keeps me busy enough to keep my mouth shut. However, I have reached a segue. To hold you up, to keep my masks up to just barely stay alive is too much headache and nausea. I feel the fall is longer and dimmer with each trip along the forest way. My eyes are heavy with chaos and responsibility. You must take me as I am: part man and monster.